The end result is the rhythmical alignment of "strong notes on strong beats" within the bar. This simply means that we get chord-tones 1-3-5-7 on downbeats. The three optional passing notes can be found between degree b7 and 3 (in a mixolydian scale). The primary scale which is, by the way, a great starting point for most teachers (including yours truly). It is most commonly referred to as "bebop scale" and only has ONE passing note between b7 and 1 (in this case, the "B natural" note). Let's say you wanted to start the scale on something other than the root, it wouldn't always work! Give it a try! However, the Barry Harris Workshop goes beyond this simple scale by using two more available passing-tones. So Barry found a solution to this musical problem. Let use the "F" (the fourth degree) as an example in the same old, C7 mixolydian scale. You can have either:Īs you can see, the arrows point to chord tones.
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